Learn the most common mistakes people make when reaching out to potential mentors, colleagues, & people they want to work with… and what to fix to skyrocket your response rate.
Academy-nominated editor Dody Dorn, ACE shares her insights on mentorship as well as her candid story about transforming her health and her mindset to survive the brutal realities of editing blockbuster films.
Tell me if you’ve either heard or said the following phrase before: “It’s all about who you know.” Unfortunately this has become an excuse for …
Here’s a hard truth few are willing to admit: Pigeonholing is not an accident. As frustrating as it might be to believe, “I keep getting …
Roger Barton has edited and worked on some of the most iconic films of a generation such as Armageddon, Pearl Harbor, Titanic, World War Z, …
Becoming an AE (assistant editor) isn’t the only path to editing scripted television. Learn more in my conversation with experienced reality editors Phil Habeger and Toni Ann Carabello as they explore their options.
Choosing between the assist editing route vs the editing route is not an easy choice. Learn why becoming an indie editor is the best route for Wellington Harrison in part 2 of this podcast interview.
Choosing between the assist editing route vs the editing route is not an easy choice. Learn why becoming an assistant was the best route for Chris Cavanagh in part 1 of this podcast interview.
Learn how editor Chryss Terry used simple time management skills to overcome repeated burnout and imposter syndrome.
Learn how documentary and special features editor Len Ciccotello transitioned to working in scripted television using just a few simple steps.
Listen to Zack Arnold (ACE), Lillian Bension (ACE), Carol Littleton (ACE) and Andy Seklir (ACE) discuss what it REALLY takes to survive the working conditions in Hollywood and become a successful editor in Hollywood.
If you’re a storyteller you MUST understand the fundamental components of every great story. Learn from ‘Story Greenlight’ founder and Hollywood film editor Jeff Bartsch.
In part 2 of our conversation today we dive as deep as I’ve ever gone into all of the steps necessary to climb from the bottom of the ladder to the top in Hollywood. We go over all the details of Kelley’s “overnight success story” where it took her just short of 20 years of being an assistant editor before exploding onto the scene with Breaking Bad.
Learn how superstar television editor Kelley Dixon rose from assistant to the top of her game…and all the dirty details in between.
Learn some of the fundamental steps necessary to get noticed and rise to the top in Hollywood post-production with Oscar-winning editor Billy Goldenberg.