Learn how Chris Patterson, an incredibly successful 1st AE on top-tier features, overcame his networking struggles to land a gig on a feature as the lead editor.
Learn how Mexican-American editor Marcella Garcia overcame her limiting beliefs (and lack of experience in long form) to break into the world of scripted television.
Learn from tentpole Hollywood feature film editor Alan Bell, ACE how he maintain healthy habits & routines to maintain optimal levels of creativity while working on the biggest projects in Hollywood.
Learn from award winning TV editor Scott Powell, ACE (24, The Chi, The Orville) the importance of using humility to build relationships and climb the career ladder to the top.
Editor Jim Page tells the candid story of how he was fired for requesting a single day off for mental health, and what this says about everything that still needs to be fixed in the world of freelance creative work.
Learn how Eddie nominated editor David J. Turner evaluated the way he works and lives to go from being totally burned out and afraid of taking on new work to literally having the confidence and energy to apply for a trip to the moon.
Learn how writer/director Paul Del Vecchio overcame the anxieties and fears that caused him to always say ‘Yes’ to other people’s projects (even when they were the wrong fit) so he could focus on developing his own projects.
Learn from award-winning ACE editor Michelle Tesoro how success comes with a price and how she does her best to manage work-life balance and relationships despite the constant demands of her career.
Award-winning editor Michelle Tesoro discusses how to strategically apply the chess mentality to take the right steps in your career (instead of jumping from one gig to the next playing a game of checkers).
Learn how (and why) a former NHL hockey player made the transition to becoming a well-known and respected editor, consultant, and thought leader.
When it comes to working the brutal hours that have become the norm in entertainment, negotiating for better pay, and fighting to make changes in industry standards, most of us feel helpless (and hopeless) about where to even begin. What if we were paid for the value we bring to a project rather than the number of hours we clock in each day? Today’s guest Scott Jacobs, a longtime editor, AE, and MPEG board member, tackles this question with me. If you’re interested in having a little bit more ammunition to advocate for a job that is more focused on value than hours, and most importantly working smarter (and not harder), my conversation with Scott is a must-listen.
As the recently elected President of American Cinema Editors (ACE), Kevin Tent is leading the charge to make working smarter instead of harder in the edit bay one of his top priorities. He’s dedicated to making changes like taking regular walk breaks, adding in meditation, and even taking an occasional nap to enhance your creativity and get you through the day with more energy left over for your family and yourself when work is done. If you want to know how one of the top names in the feature editing game stays sharp and continues to work at such a high level, today’s conversation is for you.
ACE Editor Steven Lang has helped countless numbers of his assistants get into the editing chair and move on to successful careers. In this part two is Steve’s philosophy on mentoring his assistants, how he approaches his editor’s cuts, and his best advice for making the transition from assistant to editor. We also dive into Steve’s work habits, his lifestyle choices, and how he has learned to balance his intense focus abilities to avoid wreaking havoc on his health and relationships.
Many of the students in my coaching & mentorship program come to me hoping to make a transition in their career where they have the skills already but they don’t have the specific experience. I was in that very same position when I landed my dream job editing Burn Notice. Here to lend a unique perspective to my “Burn Notice story” is ACE Editor Steve Lang, the catalyst for getting that job. Steve has cut over 120 hours of television in the past 24 years and worked on such shows as The Practice, The Gifted, Preacher, Rectify, and Manifest, to name just a select few. He took an unusual path to becoming an editor having held every role in the post-production department at one point or another. This experience gives him a well-rounded point of view of hiring editors and assistants and best practices for advancing your career…without getting pigeonholed. In this first part, you’ll hear how I got the job on Burn Notice from Steve’s perspective while also hearing the skills vs experience argument from someone on the hiring side.
Alex Ferrari has been side hustling since he was 12 years old. Today he shares his decades of experience to help others gain financial freedom while pursuing their filmmaking dreams.