Today’s episode is part 2 of two-part case study (click here for part 1) that dives deep into the question that plagues so many trying to land their dream job in scripted entertainment:
To assist, or not to assist: That is the question!
In part 2 of this case study I chat with Wellington Harrison, an assistant editor with nine years experience in the post-production industry who’s worked across multiple genres and formats from drama to animation and beyond. Wellington is a unique case study in that he originally came from a completely different industry – architecture – and has been forging his own path to success in Hollywood ever since.
After working with Wellington for 12 weeks in my one-on-one career coaching & mentorship program, Wellington has confidently come to the conclusion that at this point, the route that makes the most sense for him to build a fulfilling career and lead a happy life is pursuing work as an editor in independent features.
There is no set path we can follow to success in our industry, but it is possible to design your own unique path if you know the right questions to ask and the right steps to follow. My purpose for sharing this case study with you is to demonstrate how Wellington designed his own path so you can then apply what you learn to your own journey.
If after listening to this interview you do want to learn more and apply to work with me for the next several months and beyond, enrollment is currently open in my career coaching & mentorship program, but time slots are extremely limited.
Applications will only be accepted through Friday May 10th.
Want to work with me one-one-one to land your dream job?
Here’s What You’ll Learn:
- Wellington’s beginning in marketing and his journey through different industries
- Fighting film industry impostor syndrome
- There is no correct or incorrect step towards your goal, only the one that you are able to make
- Designing your own career path through the industry
- Respecting your own journey to the work you want to be doing
- Clarity’s essential role in making sure your goals are achievable
- Finding the perfect goal using the “Goldilocks Principle”
Useful Resources Mentioned:
Our Generous Sponsors:
This episode is made possible for you by Ergodriven, the makers of the Topo Mat, my #1 recommendation for anyone who stands at their workstation. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. Click here to learn more and get your Topo Mat.
With nine years experience in Post Production as an Assistant Editor, Wellington Harrison has actively pursued projects across multiple genres and formats. From Drama to Animation, Wellington continues to contribute with one overarching goal: To tell good stories that resonate with audiences. “In Post Production there are always multiple ways to achieve results. As Editors, it is our mission to be open and fearlessly take risks in order to tell the best story each and every time.” Wellington is a member of the Motion Picture Editor’s Guild and The Los Angeles Post Production Group.
This episode was edited by Curtis Fritsch, and the show notes were prepared and published by Elyse Rintelman. The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet).
Note: I believe in 100% transparency, so please note that I receive a small commission if you purchase products from some of the links on this page (at no additional cost to you). Your support is what helps keep this program alive. If you have any questions, please don’t hesitate to contact me.